Dark Night of the Soul is the long awaited collaboration between Danger Mouse and Sparklehorse. Unreleased for some time due to contractual wrangles it was originally intended to accompany a book of visuals by David Lynch. The book was published,… Continue reading
Indietracks, which for the last four years has taken place at the Midland Railway centre in Derbyshire, was perhaps not quite as busy as last year when it had the support of Spain’s Elefant label on the main stage and… Continue reading
Candle To Your Eyes, the third album by Canadian band Shapes and Sizes, has some great moments but is essentially a bit of a mess, mish-mashing indie-rock, Janis Joplin blues, Bristol trip-hop and early 1980s new wave with uneven results.… Continue reading
It seems somehow cruel to criticise A Taste of Truth, the latest EP by English folk singer-songwriter Brooke Sharkey. She can clearly play guitar well, has a good finger picking style and an interesting, albeit indistinct folk singer’s voice. Nevertheless… Continue reading
Ukrainian born, New York based singer-songwriter Lana Mir’s self-titled debut album is an assured and welcome slice of summery indie-pop. Full of influences like Portishead, St Etienne and her Unfiltered Records label mates The Postmarks the album is remarkably consistent… Continue reading
After years playing in a variety of folk bands Somerset musician Nick Parker has finally gone solo and served up an excellent debut album ‘The King of False Alarms.’ Although listed as ‘acoustic, folk and country’ on his Myspace page… Continue reading
Ra Ra Riot have resolutely failed the second album test with The Orchard, delivering a well produced offering that is sadly too light on quality song writing. The key to Ra Ra Riot’s success so far has been the blending… Continue reading
Getting a cover version right is no easy task. For every ‘Man Who Sold The World’ by Nirvana or Devo’s take on (Can’t Get No) Satisfaction there’s this bunch of duds. Continue reading
In an era of where jolly synth pop seemingly rules, it is refreshing to occasionally hear some loud, squealing, introspective guitar music for a change, especially when it is so expertly delivered by the likes of The Twilight Sad. The… Continue reading
After last year’s excellent album Heretic Pride, The Mountain Goats 17th album The Life of the World To Come is a little disappointing. Granted, it has its high points, but while Heretic Pride was teaming with stand out tracks, The… Continue reading