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Indietracks Festival 2019 Review

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Indietracks Festival 2019 Review

Posted on 05 August 2019 by Dorian

Indietracks is a pretty unique event, in many ways. Most obviously in that it takes place at a heritage railway, but also in terms of what it means to the people who attend each year, and the way it is organised. The people who attend are passionate about the music and the event, and the organising team bring together a wonderful mix of music each year that manages to simultaneously follow a comfortable pattern and throw in some really delightful surprises.

Trains

You get a few industry veterans (Bis, The Catenary Wires, Tracyanne & Danny), some Indietracks mainstays (Martha and a tearful farewell to The Spook School), bands that are just starting out (Cheerbleederz) and bands that are starting to generate some industry buzz (LIINES, Porridge Radio).

There is also a lot of variety of band style considering that most people would see the indie-pop scene as being fairly straightforward in terms of musical focus. There’s black feminist punk (Big Joanie), Euro-J-Pop (Kero Kero Bonito), surf instrumentals (Surf Muscle), pop-punk (Fresh), Hong-Kong shoegaze (Thud) and hard-to-define-pop (The Orielles).

I could write hundreds of words giving my personal view on the dozens of bands I saw but what would be the benefit of that? I know from just the experience of myself and my colleagues over the weekend that everyone will find different things to like from a festival like Indietracks. Be that the different bands, or the owls, or the train sheds, or the miniature railway, or perusing the merch stalls, or surviving the falling speakers at the campsite disco.

So instead I’ll leave you with my personal three favourites from the weekend and a selection of pictures of the event. If you’ve never been then I urge you to give the festival a go next year. If you’ve been already you don’t need me to tell you how much fun it all is.

So, in no particular order, my top three:

Advance Base

Advance Base

This, like most of my favourite music over the weekend, was entirely new to me. I’d heard of Owen Ashworth’s previous act Casiotone for the Painfully Alone but never listened to them. I also knew that he’d recorded work by The Magnetic Fields but never listened to any of those tracks either. In some ways it sounded exactly as I would have expected, downbeat, synth driven and built around some great word-play. What I hadn’t expected was such a beautiful tone to his voice, and so much emotional weight to the songs.

Seazoo

Seazoo

Seazoo play a type of music that has defined my record collection for most of my adult life, noisey(ish)-indie-guitar-pop. They aren’t breaking much new ground but the older ground they are covering is pretty great. They’ve got good tunes, they play well and they seem thoroughly nice. They have just the right quantity of quirk to their sound to make things interesting and I’ll definitely be visiting their recorded output.

Stealing Sheep

Stealing Sheep

I don’t think many people would argue with Stealing Sheep being the most polished stage performance of the weekend. Matching outfits, vocoder vocal introductions and synchronised moves sit alongside some pretty slick pop songs. It is joyous stuff and goes down a storm with the crowd. I loved every minute of it and ‘Joking Me’ could well be the song of the year as well.

Bis

Bis

 

The Orielles

The Orielles

 

Cheerbleederz

Cheerbleederz

 

Surf Muscle

Surf Muscle

 

Fresh

Fresh

 

Big Joanie

Big Joanie

 

Martha

Martha

 

The Spook School

The Spook School

 

She's Got Spies

She’s Got Spies

 

Thud

Thud

 

Kero Kero Bonito

Kero Kero Bonito

Words and pictures Dorian Rogers

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Martha – Love Keeps Kicking

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Martha – Love Keeps Kicking

Posted on 08 April 2019 by Dorian

When I first saw Martha play at Indietracks about six years ago they didn’t make a huge impact on me. Don’t get me wrong, they were great, it was fun and the crowd loved them, but I didn’t come away with a strong picture of what kind of band they were. I certainly never suspected that they’d later produce an album as good as Love Keeps Kicking.

Martha Love Keeps Kicking

Listening back over their albums it is clear that they started good but get better and better with each release. The previous two albums were great, with some excellent stand-out songs, but on this release they’ve raised the bar and produced an album that hits home with very track.

They play a power-pop-punk that has a lot of American influences, Ted Leo springs to mind, but they bring some real personal sensibilities to the songs. I think that most of the band contribute vocals and they all sing in their own voice, no fake American accents on show here. This gives their songs so much more personality than if they’d embraced the affectations that so many British bands playing this kind of music fall foul of.

Lyrically they wear their heart on their sleeves, these are open and honest songs that don’t shy away from the personal, or the difficult, issues around love and relationships. It is a difficult line to walk but Martha, like so many of my favourite bands, manage to balance these lyrical themes against some really uplifting and energetic music.

If you want hear some great hooks, some blistering playing and some lyrics from a young band with something to say then you could do a lot worse than heading to your local record shop, or the their Bandcamp page, and picking up this release.

9/10

By Dorian Rogers

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Preview: Indietracks 2017

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Preview: Indietracks 2017

Posted on 05 June 2017 by Dorian

Indietracks is one of the highlights of our musical calendar, and 2017 doesn’t look like it is going to buck the trend of friendly vibes, steam trains, owls and great music that we have come to expect over the years.

We have written about the festival many times in the past, so go here if you want a flavour of what to expect.

Indietracks 2017

The bands on the bill this year are the typical mix of new and old with some familiar faces alongside festival debutantes offering up a really strong line-up across the three days. The Tuts, The Wave Pictures and Endersbys Room have all been Neon Filler favourites at previous festivals, and there are dozens of acts we are less familiar with playing over the weekend.

Darren Hayman played a great set here last year and he is back again with Emma Kupa playing as the Hayman Kupa Band. Kupa is very busy over the weekend also appearing in Mammoth Penguins and Friends as well as being one of the festival organisers.

There are plenty of new bands to discover over the weekend with Luby Sparks, ME REX and Milk Crimes all having formed in the last couple of years. There are veterans playing too, with The Orchids and Milky Wimpshake adding a few years to the bill and Monkey Swallows The Universe reuniting 10 years since they last released an album.

Indietracks 2017 line up

(Clockwise) Cate Le Bon, The Tuts, The Wave Pictures, Monkey Swallows The Universe

The headliners are strong this with Martha bringing some lively North East power-pop to the stage on the Friday night, and Cate Le Bon closing the festival on the Sunday night with her distinctive “Television meets John Cale”  approach to songwriting.

It is The Wedding Present on the Saturday night that are the pick of the bunch for me, even though they are a band I get the opportunity to see in my home town several times a year. I remember picking up their debut album, George Best, 30 years ago aged just 15 and it remains one of my favourite records to this day. This is a band that, with their appearance on the legendary C86 cassette, helped to define what indie-guitar-pop was. David Gedge may be the only consistent member of the band, but his weary tales sound pretty good to this day, and their most recent release Going Going was one of their best.

Me and Gedge

Me and David Gedge in 2012

We spoke to some of the Indietracks team (Nat Hudson, Beck Conway, Jasmine Allen, Andy Hudson and Emma Kupa) to find out a bit more detail on what makes the festival tick.

Lots of festivals have come and gone over the years, with small festivals often disappearing. Indietracks is in its 11th year. What do you think is the secret to the festival’s success?

Beck: Without a doubt, I think it’s the atmosphere and community spirit. The festival has such a lovely, relaxed and friendly vibe and I’ve made so many friends there over the years. I can’t wait until July to catch up with everybody again!

Nat: I think it’s the friendly, relaxed atmosphere and the sense of community. A lot of Indietracks goers come back every year, and it’s always wonderful to see so many friendly, familiar faces as well as new ones. I also think our mix of established and up and coming bands also attracts people – Indietracks is always a good opportunity to discover your next favourite band!

The Wedding Present were my introduction to indie pop 30 years ago. What was the point that you realised your love of the music?

Beck: I was a big fan of indiepop bands before I really knew what indiepop was! I found a couple of Field Mice records in a charity shop when I was about 15 and started to realise the wonders of Fortuna Pop after getting into Bearsuit and The Aisler’s Set. I used to run a clubnight in Manchester years ago where we’d play those bands alongside stuff like Dressy Bessy, Helen Love and Hefner. I don’t think I ever really understood that all these seemingly disparate bands fitted together under the umbrella of ‘indiepop’ before I started coming to Indietracks!

Nat: Like Beck, I was a fan of indiepop before I really knew what it was! As a student I was a huge fan of Hefner, Stars of Aviation, Marine Research, Belle and Sebastian and similar bands. I moved to London in 2004, met friends who were into similar music and ended up going to the How Does It Feel To Be Loved? club night. Through that I ended up discovering lots of new and old indiepop bands and eventually became involved with Indietracks.

Jas: Although music was always a big part of my life, I first discovered ‘indiepop’ by attending DIY clubnights and gigs at University. A bunch of my friends were involved with a society called Burn the Jukebox – which encompassed a variety of genres. I was always drawn to the more indie, electro, pop end of this. After University I ended up dating someone in a band, and that has been a great way of discovering bands by attending gigs, and of course that’s how I also discovered Indietracks.

You have some new faces on the Indietracks team this year. What are they bringing to the festival?

Nat: Myself, Andy and Emma Cooper are still part of the organising team, but this year we’ve also welcomed new members Beck Conway, Jasmine Allen and Emma Kupa. They’ve been in bands and have also been involved with organising the Sweet Revenge club night in Manchester and the Cambridge indiepop all-dayer, so have loads of experience of putting on indiepop events! They’re also all regular Indietracks goers, so know the festival and are really keen to help make it the best it can possibly be. We’re so lucky they volunteered to get involved – they’ve done so much of the work this year, and have brought lots of energy and enthusiasm to the team too!

Beck: Along with Jas and Emma, I’ve been a massive fan of Indietracks for years and I think that’s a really useful perspective that we bring to the organising team. We have a good sense of what people really love most about the festival and what new ideas might work well.

If you were put on the spot and had to pick your one must watch act this year who would that be?

Emma: Frankie Cosmos

Nat: Lucky Soul

Andy: Cate Le Bon

Beck: I think I’ll have to pick one of our international bands because you never know when they’ll be back in the UK – I’m really looking forward to Luby Sparks who are travelling all the way from Japan to play for us!

Jas: It’s difficult to pick one, and I often enjoy the smaller bands the most. However, The Wave Pictures have a lot to offer – they are an incredibly versatile band with lots of talent and a large back catalogue.

Words and interview by Dorian Rogers

Indietracks is on from the 28th to the 30th July at the Midlands railway Centre in Derbyshire. Go to www.indietracks.co.uk for more details and to buy tickets.

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Martha – Blisters In The Pit Of My Heart

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Martha – Blisters In The Pit Of My Heart

Posted on 29 June 2016 by Joe

At the 2013 Indietracks Festival Martha were the must see band, winning both the most band t-shirts worn contest as well as best stage invasion prize. The four-piece from the wonderfully titled village of Pity Me, near Durham, are not exactly rewriting rock, on either their first album Courting Strong or this their latest release. There have been many, many bands that have already trod this well worn path of presenting shouty, romantic and embattled vocals wrapped up in a three minute, fast paced pop song, complete with guitar solos and rousing sing-a-long choruses.

martha

But, and this is important, it doesn’t matter that they lack innovation.  Martha have a spirit, which many of their contemporaries lack. When they sing about the “toxic culture” of a Catholic education on the track St Paul’s (Westerberg Comprehensive) and its effect on anyone who dares to be different, or heaven forbid gay, they really mean it.

When they sing about romance discovered in the washing powder aisle of a supermarket, as on one of the album’s best tracks Precarious (The Supermarket Song), you can really feel the heartstrings pull.

Its no wonder they appeared at Glastonbury’s Leftfield stage last year at the personal request of Billy Bragg. At Bragg’s Glastonbury set this year, before launching into Greeting From the New Brunette he told budding protest song writers in the audience to make sure they also write about romance. Martha have clearly listened and Bragg even gets a reference on the Coronation Street themed Curly and Raquel, about the TV soap’s odd and ultimately doomed couple.

This album is also a lot of fun, especially on Goldman’s Detective Agency, where Victorian anarchist Emma Goldman is re-imagined as a corruption-tackling private eye, backed by some fine Thin Lizzy style guitar playing.

It’s hard to fault this album across its 11 excellent, upbeat tracks, which made me think, smile, dance as well as want to immediately go and see them live and join them for a stage invading sing-a-long. Who needs originality when you have this much heart?

9/10

by Joe Lepper

Martha – Blisters In The Pit Of My Heart  is released by Fortuna Pop on July 8.

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