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Tallinn Music Week 2019 Review


Tallinn Music Week 2019 Review

Posted on 18 July 2019 by Marc Argent

We love Estonia and we love going back to it’s capital Tallinn for a dip in to the Baltic music scene. This year was our third consecutive visit to Tallinn Music Week and once again we’ve unearthed some muscial gems for your consideration.

Anna Kaneelina

Anna Kaneelina

Anna Kaneelina

Tallinn-based singer-songwriter Anna Pärnoja’s (wife of Neon Filler favourite Erki Pärnoja) unique brand of resonating pop was possibly the biggest surprise highlight of Tallin Music Week 2019, where she mesemerised crowds at the F-Hoone Muust Saal on the Saturday night. Her bewitching vocals coupled with expansive and dark soundscapes are reminiscent of the Florence Welch, PJ Harvey and Anna Calvi. We struggled to get in to the tiny venue but managed to enjoy the entire show side of stage as her spellbinding show captivated the room. We were also treated to an appearance from her husband Erki on guitars which added some wonderful new layers to her live show.

Molchat Doma

Molchat Doma

Molchat Doma

Molchat Doma frontman Yegor Shkutko has a touch of the (Future Islands) Samuel T. Herring’s about him and with his band sounding like a combination of Joy Division and Depeche Mode you can start to imagine their live show. A unique Post-soviet punk band from Belarus their music reeks of 80s punk with a darker edge that borders on industrial. Their minimalist drum machines and unsettling electronica gave the crowd in Kivi Paber Kaarid restaurant an unforgettable taste of a punk era that seems almost long forgotten.

Alex Kelman

Alex Kelman

Ever get that feeling when you first hear a piece of music and somehow it feels like you’ve been enjoying it all your life? You think it must be a cover of some old favourite and then you realise it’s brand new but somehow comfortingly familiar. Well Alex Kelman had us at ‘Rain’. Perhaps it’s the swirling, jangling ‘New Order-eque’ guitars or the beautiful female vocal lines that do it. Little known Siberian Alex Kelman performed twice at Tallinn Music Week 2019 and we were lucky enough to catch his warm up show at the Puant Bookshop where he performed Rain, alongside some of his new material comprising a wonderful blend of synths, guitar and captivating guest vocals.

Duo ruut

Duo Ruut are one of Estonia’s hottest prospects of 2019, after winning the 2018 Noorteband (Youth Band) competition last November. This win propelled the folk duo to a sea of festival bookings for 2019, the first being at this year’s Tallinn Music Week (TMW).

We first saw them playing in a telephone shop (yes this is the kind of venue you get at Tallin Music Week). The thing that first struck us was the beautifully symbiotic relationship between the female duo, as one carried the instrument they play (the Kannel – you might have to google this one) in to the venue and the other tuned it.

When it came to the time to perform they sat facing one another (like inuit throat singers). The large instrument across both their laps. They proceeded to both play the instrument at once, by a variety of plucking, using a drumstick, bow, and patting (Ben Howard styley). Instrumentally on its own this would be beautiful and innovative folk, but when the mesmerising vocals were added it left us enchanted.

The last song in their Tallinn Music Week set was “Tuule sõnad”, which means words of the wind perfectly encapsulated, not only them, but Estonia as a nation. A love of the past, traditions, culture, but also the innovativeness of the country, it’s people and hope for the future.


The venue (Leila Bar) looked as if it hadn’t changed since the 1990’s, and the clientele upon our arrival, the same. As the hipsters, who normally proceeded to follow the festivals every step, were suddenly met by grandma’s enjoying a relaxing afternoon cup of tea.

When the two middle aged gentlemen (who make up Puulup) hit the stage you could be forgiven for thinking the clientele would match the music that was about to come, but you couldn’t be more wrong.

The duo, once dressed like a hasidic jew on his way home from the synagogue and the other not too dissimilar to Keith Harris, defined their style as Zombie folk. And, you can’t disagree when their songs included a love song about a wind turbine.

When you imagine that this was topped of with accompanying dance moves, you can understand why they were the first band of the weekend we saw (and on day three) that a crowd actively demanded an encore from.


Imagine the Corrs, but there are half a dozen of them, and there is no Jim in sight. And you will already have a good idea of the group. Not only visually were they as mesmerising as the Corrs in their traditional Latvian costumes, but musically too. Each playing one or more instruments (don’t worry, these included the violin).

The six women could well be likened to sirens that have attracted many sailors to their deaths over the centuries. And when singing the song Tautumeitas (yes the same as their name), which means a woman of marriageable age, it would have been very easy to have been drawn into their spell. And, we certainly were 😉

Words and pictures by Marc Argent.


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Tallinn Music Week 2018 Review


Tallinn Music Week 2018 Review

Posted on 21 May 2018 by Joe

Neon Filler could not resist returning to the Baltics this year for our second consecutive Tallinn Music Week. We unearthed some real musical gems last April so we didn’t hesitate when organisers invited us back for 2018. This year things were bigger and better with TMW celebrating it’s tenth birthday, with a whopping 262 artists hailing from 31 different countries.

Here’s a roundup of the standout acts we saw…

Lexsoul Dancemachine

Lexsoul Dancemachine are fast becoming a party highlight of Tallinn Music Week with their contagious funk capable of forcing dance moves from even the most stubbornly reluctant of Estonia observers.

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Playing this year as Saturday night headliners in one of Tallinn’s more salubrious venues, Erinevate Tubade Klubi (fitted out to look and feel like an authentic 1970’s Brooklyn Discoteque), they put in a sensational performance of raw smoking hot funk. If you need a second invitation to check them out look up the track ‘Beef Grinder’ on YouTube for a sample flavour of Estonian Funk at it’s finest.


In his native Iceland Högni Egilsson is one of the most respected singers and songwriters, having been a member of both GusGus and Hjaltalín.

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At TMW he showcased his solo work. Songs such as the hauntingly beautifil Paradísarmissir took us and the rest of the mesmerised audience on a journey of serenity and moving contemplation.

Põhja Konn

Põhja Konn (translated directly from Estonian means Northern Frog) can be described as many things; but to listen to their eponymous album you’d think old school prog rock. Witnessing and listening live at a festival like Tallinn Music Week  is an altogether different experience – one that gives real insight into their masterful understanding of all things jazz, classical, rock, funk and pop.

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There’s few live acts we’ve seen at places like Glastonbury, Green Man etc on the biggest stages, that can enchant an audience as much as Põhja Konn. We’d hazard a guess that if lyrically they would turn their backs on their loyal Estonian heritage, and write some material for a wider audience, they’d be filling festival stages across Europe and beyond.

Other highlights included…

Cari Cari

Cari Cari want to have their music featured in a Quentin Tarantino movie. So says their charismatic guitarist Alexander Kock. We managed to catch them perform twice at Tallinn Music Week this year and on both occasions it seemed a pity that the legendary American movie Director was not there to take heed.

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A two-piece act from Austria, the male / female duo played two very different sets albeit with the same set list. The first, a juxtapositioned short gig set in a shopping mall storefront, was a grungey, tribal, foot-stomping affair accompanied by Jew’s Harp and a Didgeridoo. The second was a evening slot in Tallinn Old Town, at a venue more appropriate for their whiskey soaked, bluesy anthems. Comparisons with The White Stripes, The XX and The Kills are inevitable. If they continue on their current upward trajectory it would seem a soundtrack berth on the next Tarantino flick will also become inevitable.


Having to follow arguably the most exhilarating act of the weekend Lexsoul Dancemachine, it seemed D/troit had their work cut out. The electricity in the crowd was tangible and people were in the mood to party. D/troit were able to keep the party swinging with their timeless soul style, that brought Saturday night’s live music to a close.

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Once upon a time an obscure Garage band, the Danish group have today found their calling as one of Scandinavia’s finest soul music acts. Craig Charles recently labelled D/troit his favourite new band, playing their music on both his radio 2 and 6 shows. From where we are sitting, D/troit come across as the most under rated and effortlessly cool soul band since The Heavy.

Special Mentions…


Kalàscima hail from Salento in Italy. In their local dialect their name is a combination of the words for good and evil.

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And, just like the battle between good and evil in all our favourite books and movies, their music is a tussle between the traditional folk of the region and modern electronic sounds. These collide, thankfully harmoniously, into an unforgettable music experience.

Púr Múdd

If you wanted to encapsulate the look and feel of Estonia’s youth today Tallinn Music Week, you would have had need to look no further than Púr Múdd.

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Their modern and almost gritty electronic pop sound echoes a nation at the cutting edge of modern technology (Estonia refers to itself as e-Estonia), and a determined start up culture that sees its youth striding towards a bright future.

Trad Attack!

If someone were to say to you “We are going to see an Estonian folk band, there will be bagpipes, a jewish harp and such like” you have an immediate expectation. A nice pleasant sound, perhaps traditional costumes and dancing, lovely!!

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What you get is folk that slaps you across the face with its vibrancy and currentness. It’s no wonder that Trad Attack! are playing at festivals around the world.

The Toasters

Ska pioneers The Toasters are a well-known act to many. The seasoned performers first came together in 1981, and despite performing over 6000 shows in their career, it was their very first time in Estonia.

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Luckily, the Tallinn Music Week crowd weren’t disappointed by the wait and thoroughly enjoyed the feast of musical enthusiasm that was served up.

Words by Marc Argent and Mark Taylor.

Pictures by Marc Argent and Tallinn Music Week.

For more information about Tallinn Music Week visit their website here.


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