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Top 20 Albums of 2013

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Top 20 Albums of 2013

Posted on 11 December 2013 by Joe

The first half of the year was a pretty poor period for releases but we just about scrabbled together our June feature,  Top ten albums list of 2013…so far. But since then the rate of excellent releases has picked up pace and now in December we find ourselves struggling to cram them all into a Top 20.  It is therefore with a heavy heart that we chop off some superb 2013 releases by the likes of Jackson Scott, John Howard, PINS and Josh Rouse from this list. We think we’ve got a good range for you here and urge you to read our full reviews, buy their albums and go see them live. Anyway, enough of our guff, on with the list.

20. Young Knives –  Sick Octave

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Finally, after over a decade on the sweaty coalface of jerky punk rock,  some long overdue acclaim for this industrious trio. It’s taken a series of well received EPs, extensive tour schedules and three studio albums to get them thus far,  but this fourth offering will, our reviewer John Haylock confidently predicts, cure your jaded and cynical hearts. Read our full review here.

19. Wave Pictures – City Forgiveness

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Conceived on a US tour with Allo Darlin this latest album from the perplexingly under rated Wave Pictures is heavily influenced by the American blues. Thankfully in their stellar guitarist David Tattersall they have a musician who can pay tribute to the blues and put the band’s  very English slant on the genre with aplomb. Some say it’s a little long. But we say, who cares when the bulk of it is so good. Read our full review here.

18. La Femme – Psycho Tropical Berlin

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After watching this video for Antitaxi, the opening track on the debut album from Bairritz based surf popsters La Femme, I’m fairly convinced they are just about the coolest band on the planet, well, in France at least. Blending 60s guitar pop with psychedelia and electronica this album is among the most creative and original of the year. Read our full review here.

17. Thirty Pounds of Bone – I Cannot Sing You Here, But For Songs of Where

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This third album of folk music by Thirty Pounds of Bone, aka Johny Lamb, manages to sound traditional without ever slipping into genre cliche. It is one of the best folk albums released this year and one of the best albums of 2013 full stop. Read our full review here.

16. Mogwai – Les Revenants

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Mogwai’s soundtrack for Les Revenants, the French TV series about the dead returning to haunt a small town, perfectly matches the show’s sense of foreboding. The dead in Les Revenants have feelings too and this is perfectly formed in Mogwai’s brooding mix of piano, cello and percussion and tender glockenspiel. One of the best TV soundtracks you will ever hear.

15. Just Handshakes –Say It

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This impressive debut from Yorkshire’s Just Handshakes features many a familiar C86 sound, with whirly-gig keyboards, chorus pedals and  choppy insightful melodies, all providing the perfect backdrop to the sumptuous, earthy English folk vocals of singer Clara Patrick. Indie pop with a distinct folk twist. Read our full review here.

14. Mum – Smilewound

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Icelandic foursome Mùm’s sixth album Smilewound will draw inevitable comparisons with fellow Nords Sigur Rós. Fortunately this is for all the right reasons. Our reviewer Rob Finch says this is a damn-near perfect album, punch-packed with effortless experimental Scandi dreampop and intelligent, intelligible lyrics. Read our full review here.

13. Robert Pollard – Honey Locust Honky Tonk

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This is Guided by Voices frontman Robert Pollards self-proclaimed country album, but aside from the name, cover and one song (‘I Killed a Man Who Looked Like You’) it would be hard to hear any strong country influences on this album. Our favourite of Pollard’s many solo and Guided By Voices releases this year. Read our full review here.

12. Okkervil River – Silver Gymnasium

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The band’s first on ATO Records is the most autobiographical yet of singer/songwriter Will Sheff’s tenure as Okkervil River frontman as he takes the listener into a brief period of his childhood in the small New Hampshire town of Meriden, where his parents worked in 1986 as teachers at a local boarding school. Its full of influences from the era and the band have even drafted in Cyndi Lauper’s producer to give it that 80s sheen. Read our full review here.

11. Low – The Invisible Way

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Centred around husband and wife duo Alan Sparhawk and Mimi Parker Low have been fine tuning their brand of so-called slow core rock across ten albums now. The Invisible Way takes the haunting, tender ethos of previous album C’mon one step further. Gone are the overt ’50s and ’60s electric guitar sounds  to be replaced with piano, acoustic guitar and an even softer Americana feel under the direction of producer, Wilco’s Jeff Tweedy. Read our full review here.

10. Tullycraft – Lost in Light Rotation

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While many of their twee peers are still drinking weak lemon drink from a flask and grumbling about this and that, America’s veteran indie pop outfit Tullycraft have added a good splash of gin to this poor metaphor of a flask and are belting out optimistic happy pop as if the recession and all the other ills since their last album in 2007 had never existed. Read our full review here.

9. Neko Case – The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You

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Arguably the longest album title of the year, but one of the most simple albums of the year. Great songs and great voice from the peerless Case. Fans will know there is a darkness to all her albums and this is a much darker beast  than the upbeat Middle Cyclone. One of the true great North American singers. Read our full review here.

8. Mark Mulcahy – Dear Mark J Mulcahy, I Love You

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Classic guitar pop from the former Miracle Legion frontman. Great vocals and some killer tunes here including ‘Poison Candy Heart’  and ‘She Makes The World Turn Backwards’, which our reviewer Dorian Rogers believes should be available in every karaoke booth round the world. Read our full review here.

7. The National   – Trouble Will Find Me

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Born out of the chaos of the hurricane that ripped New York state apart last year the Brooklyn based band have produced one of their most calming and satisfying releases yet. Read our full review here.

6. Southern Tenant Folk Union – Hello Cold Goodbye Sun

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Conflict about musical direction, song choices and album themes, can be a destructive influence for some bands. Fortunately for Southern Tenant Folk Union, the Edinburgh based collective that loosely falls under the folk/bluegrass banner, the opposite has happened and pre-production disharmony has conspired to create one of their best releases and one of the year’s most innovative albums. This is folk and bluegrass like you have never heard it before. Read our full review here.

5. Matthew E White – Big Inner

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White is part of an eclectic country, rock, soul, gospel, you name it, collective of musicians in his native Virginia who are put through their paces with on this, his first album. The end result is timeless country soul at its best and fans of Lambchop’s Nixon are going to love this. Read our full review here.

4. Phosphorescent – Muchacho

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American album of the year and our favourite so far as Phosphorescent’s Matthew Houck expertly blends country, soul, electronica and rock. Perhaps the greatest exponent of sounding epic and in need of a good night’s sleep in modern music. Marvellous stuff. Read our full review here.

3. John Grant – Pale Green Ghosts

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In Pale Green Ghosts, sweary ex-Czars man, John Grant, presents an album of wonderful contradictions. In parts almost dirge-like folk rock, this incredibly raw and openly confessional record is also awash with poppy electronica. Read our full review here.

2. Rotifer –The Cavalry Never Showed Up

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Clever political lyrics mixed with some fine guitar pop make this the best album yet by Austrian broadcaster, artist and now resident of Canterbury Robert Rotifer and his band. With the track  I Just Couldn’t Eat As Much As I’d Like To Throw Up this trio has also served up our favourite song of the year. Read our full review here.

1. Parquet Courts – Light Up Gold

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This US band emerged this year with a sound that has captivated us. Part Sonic Youth, part The Modern Lovers  and with a liberal sprinkling of  Pavement at their most Fall-obsessed this is a noisy, snotty album and the 15 songs fly by with several bum notes but no duff tracks. Read our full review here.

Thanks to all our album reviewers during 2013: Rob Finch, Patricia Turk, Conal Dougan, John Haylock, Scott Hammond, Kevin McGough and Matthew Nicholson.

List compiled by Neonfiller.com co-editors Joe Lepper and Dorian Rogers.

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Tullycraft – Lost in Light Rotation

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Tullycraft – Lost in Light Rotation

Posted on 22 March 2013 by Joe

Who knew “nasal delivery” could be a compliment for a singer? Turns out that for Tullycraft lead singer Sean Tollefson even his PR company refers to his singing style with that phrase.

However, there’s a reason these nose based vocals have been flagged up as on this album, their first since 2007’s Every Scene Needs A Centre, they’ve drafted in Phil Ek, a master of bringing out the best in an artist’s voice.

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For a band that were at the forefront of the mid 90s American twee scene the vocals are still geeky and the songs are still cheery indie pop as you’d expect, but under Ek’s direction there’s a renewed sense of confidence. Ek, who has produced the Fleet Foxes, has also brought a sense of intimacy in Tollefson and other vocalist Jenny Mears’s singing, as if they are  telling their tales right up to the listener.

Does it sound out of place, old fashioned even? No, it sounds like a welcome fillip and good to know that there’s still some cheery people out there, especially from a band that formed 18 years ago.

While many of their peers are still drinking weak lemon drink from a flask and grumbling about this and that, Tullycraft have added a good splash of gin to this poor metaphor of a flask and are belting out optimistic happy pop, as if the recession and all the other ills since 2007 had never existed.

Across each of the 11, two to three minute, tracks there’s a strong sense of consistency. The pace and nods to pop culture throughout the decades never let up and Lost in Light Rotation is all the better for it.

Musically each track seems perfectly weighted as well with the opening, choppy guitar chords of tracks such as Agincourt and Westchester Turnabouts offering a superb introduction to the confident vocals of Tollefson and Mears. They even carry off pop culture references to Hanson’s MMMbop, on Westchester Turnabouts, and Bobby Freeman’s hit Do You Wanna Dance, on Wichita With Love, with aplomb. The rousing singalong of the title track is another of many highpoints.

Tullycraft are back, happier than ever and showing indie pop bands just how it should be done.

9/10

by Joe Lepper

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